If you don't fade out the background noise makes the transitions sound abrupt. What I've done is simply cut the silent regions out and used fades to make the transitions sound smoother. By tweaking the attack and release you can make sure it doesn't accidentally close in the middle of a breath. The third option, and a popular one, is to use noise gates that intelligently know when your signal is present. Or, you can edit out the phrases themselves by simply muting the silences and using fades. Either use strip silence to make your DAW guess where there is no sound, which usually works. You can hear the background hum and noise from your computer. It's never as present as in the silences between a vocalist's phrases. When it comes to home recordings, room sound is your enemy. Read the information below for the explanation behind each step, or skip to the video at the end where you can hear the process in action. I might sidestep that list just a little bit, but I will explain why. Since I usually practice what I preach I'm going to show you how to get from a noisy bedroom vocal to a processed, in-your-face rock sound using the aforementioned steps. In one of my eBooks, Mixing Strategies, I lay out the steps you need to take to get a professional vocal sound. Lucky for you, there's only about nine steps involved that can take that bedroom recording to a rock god sound. But how do you get from a noisy, home recording to a raunchy rock vocals? Gritty, in-your-face vocals can sound awesome and really give you a nice edge to your rock production.
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